Pierce Eldridge and Michael Smith




Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Trash, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Spunk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Trash
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Trash, Junk
Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk, Junk




2020 - WORK IN PROGRESS
Portrait: Fujifilm X-H1



I acknowledge the traditional custodians of the lands and sea on which I live, work and create. I pay my respects to all First Nations peoples and their elders past, present and future. I recognise and honour their unique connection to place, community and movement. Sovereignty was never ceded.